The other day I found myself watching How To Train Your Dragon and though I entered the movie a bit late, I soon began to notice something odd yet familiar about the plot - it featured an effeminate and bumbling lead male who captures the jealous eye of a hyper masculine lead female, who is portrayed in every scene trying to prove just how tough she really is. My mind ran to other films where I've seen this: Ratatouille, Kung Fu Panda, The Lion King, Toy Story 2... A good number surely for off the top of my head I thought, but is there more to this pattern?
I'll be the first to admit that my film repertoire is lacking and so I can't really provide a good sampling of movies to examine. Something that is immediately noticeable though about the group presented is that they are all animated children's movies (a.k.a rated G) although they are made by different companies. Interestingly enough live action films with this same theme don't appear as readily to me as the animated one's do. Finally on another note my formal knowledge of feminist theory is narrow, so bare with me on that. Given these disclaimers I'd encourage you to respond with films of all varieties that reinforce or negate this theme.
So what's the problem here exactly? Well at first glance there isn't a problem per se, but there is a mighty obvious story-line that keeps popping up. The audience is introduced to the male protagonist and he's not really what we've come to expect out of a hero. He's usually clumsy, awkward, and in some cases has trouble proving his worth as a son to a widowed father figure. Enter the female lead; she's spunky, great at whatever it is that she does, and doesn't take flack from anyone. She looks down on the "girly" protagonist and is comfortable in her position of power. All of that soon changes when the awkward male lead finds a way to finally be good at something, at which point the female becomes jealous and overly competitive. He usually saves the day with a bit of her help and in the end she always falls in love with him, resigning herself to be tough but sensitive chick who can be found at the side of her newly admirable boy.
All of that is fine and some (including myself) would even say it's progress. At least were not showing women to be these subtle creatures who are in constant need of saving (*see most old children's films for reference), but there's still something funky with this new formula. I can't help but parallel it to second-wave feminism, which advocate for equal rights in the most literal sense of it. It was their belief that women should elevate their status as citizens to that of men (as opposed to 3rd-wave feminism, which argues that woman's worth should not be placed in comparison to that of a man's). With it's decline in the 1980's I think the trend can be well pictured via that then ever-present fashion fopa: the shoulder pads. Because you know, women who want to be taken seriously should just imitate men...
Well it looks like this movie genre is a bit behind critical theory and I think that the never changing reality of it, but here's my go at what it was that really got to me while watching How To Train Your Dragon. Although the female lead is shown in a position of empowerment, we're still relying to heavily on those same gender binaries. It's either one or the other and some how in the end the characters manage to fall back to those comfortable gendered roles. This is a critique however without a solution, because I'm not a writer or a story-teller. I couldn't tell you what would have been a better plot, just what makes me uneasy about the current one.